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  • Published: 13 November 2014
  • ISBN: 9781473513945
  • Imprint: Vintage Digital
  • Format: Audio Download
  • Length: 3 hr 49 min
  • Narrator: Alex Jennings
  • RRP: $18.99

The Comfort of Strangers




'Haunting and compelling' - The Times

As their holiday unfolds, Colin and Maria are locked into their own intimacy. They groom themselves meticulously, as though there waits someone who cares deeply about how they appear. Then they meet a man with a disturbing story to tell and become drawn into a fantasy of violence and obsession.

  • Published: 13 November 2014
  • ISBN: 9781473513945
  • Imprint: Vintage Digital
  • Format: Audio Download
  • Length: 3 hr 49 min
  • Narrator: Alex Jennings
  • RRP: $18.99

About the author

Ian McEwan

Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

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Praise for The Comfort of Strangers

Haunting and compelling

The Times

McEwan, that master of the taciturn macabre, so organises his narrative that, without insisting anything, every turn and glimpse is another tightening of the noose

Observer

As always, McEwan manages his own idiom with remarkable grace and inventiveness; his characters are at home in their dreams and so is he

Guardian

Has you in its stranglehold from the first page to the last. McEwan has honed his prose style (always admirably spare) to tell his tale, and with all the skill of an accomplished torturer, he throws the occasional crumbs of comfort, as the tension becomes unbearable, only to snatch them away within moments

Listener

The Maestro

New Statesman